Limited
"Our perception, our senses, that's the magic of being. Our bodies tell our stories in all their forms and flaws. We are bare poetry, we just don't know it." These are the words written by Luisiana Ines Pardi, the model in Guen Fiore's If On a Winter's Day Eurydice. In the series, Luisiana plays to Fiore's lens to find the minute, gentle details that define her femininity and the freedom it brings.
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Guendalina Fiore is a creative portrait photographer who currently lives in Rome. Guen's photographic style is eclectic and characterized by a sense of genuine and familiar warmth. Inspired by what surrounds her, she prefers to work with natural light. Driven only by a great passion and immagination, Guen realizes images with the purpose of staying faithful to reality and of bringing sincere emotions to life. She has photographed for multiple global magazines including Vogue, Vanity Fair, iGNANT, C-Heads Magazine etc. She is the recipient of both the International Photography Prize and the Lens Culture Exposure Prize.
2016 － Moscow Photo Awards, People - Portrait Category, Honorable Mention
2016 － Moscow Photo Awards, Fine Art – Nudes Category, Honorable Mention
2015 － International Photography Awards, Fine Art Category, Honorable Mention
2015 － One Shot IPA Theme Home Professional Category, Honorable Mention
2015 － Shortlisted for Life Framer top 20 images
2014 － Editors' Pick, Lens Culture Exposure Awards
2014 － International Photography Awards, Fine Art - Nudes Category, Honorable Mention
eurydice ii
Guen Fiore
"Our perception, our senses, that's the magic of being. Our bodies tell our stories in all their forms and flaws. We are bare poetry, we just don't know it." These are the words written by Luisiana Ines Pardi, the model in Guen Fiore's If On a Winter's Day Eurydice. In the series, Luisiana plays to Fiore's lens to find the minute, gentle details that define her femininity and the freedom it brings. An Italian photographer, Guen is self-taught, and influenced by the old photos and movies of America in the 1920s and 1950s. Her work defines itself through using cinematic photography to reveal the most private aspects of her female friend's lives.
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