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Future Fossils is a multidisciplinary project that includes sculpture, photography, photogrammetry, 3D printing and 3D animation. It analyses how scientists use 3D technologies in the preservation of corals. According to geologists, we are entering the human activities on Earth’s ecosystem. The process started with corals that were scanned and made available by the Geological Fabrication Laboratory of the Iowa State University. The project questions the use of 3D technology to tackle coral reef degradation. She suggests that the potential of 3D technologies could be reduced to simply recording the extinction of Earth ́s species, as opposed to offering a positive solution.
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Ana María Guerra is an Ecuadorian/Spanish visual artist and academic researcher based in Barcelona. Her practice analyses photography's evolution, from the materiality of silver gelatin to the virtuality of 3D technologies. She examines how technological progress has modified nature's appearance and the devastating impact it has had on the ecosystem. After graduating from Autonomous University of Barcelona with a degree in advertising, she received MA degrees in fine art photography, 3D for photography and graphic design in University of the Arts London and FX Animation Barcelona. She is currently undertaking a PhD in Contemporary Art at the University of Girona.
2017 - “Virtual Landscapes”, Temperature Check: Body of Evidence. MACLA. San José, USA
2017 - “Future Fossils”, Expanded Habitat. Color Box. Hangzhou, China
2017 - “Future Fossils”, Three-fold. Bultifou. Hangzhou, China
2017 - “Future Fossils”, Archive Collective, London – England
2016 - “Future Fossils”, Final Show MA Photography LCC, Ugly Duck, London, UK
2016 - “Significant Otherness”, Interim Show MA Photography LCC, London, UK
coral bleaching
Ana María Guerra
Future Fossils is a multidisciplinary project that includes sculpture, photography, photogrammetry, 3D printing and 3D animation. It analyses how scientists use 3D technologies in the preservation of corals. According to geologists, we are entering the human activities on Earth’s ecosystem. The process started with corals that were scanned and made available by the Geological Fabrication Laboratory of the Iowa State University. The project questions the use of 3D technology to tackle coral reef degradation. She suggests that the potential of 3D technologies could be reduced to simply recording the extinction of Earth ́s species, as opposed to offering a positive solution.
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